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Out of Africa, by Isak Dinesen
PDF Download Out of Africa, by Isak Dinesen
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Isak Dinesen's classic memoir of her life in Africa. The beauty of Dinesen's writing makes Out of Africa not only a powerful personal idyll but a lasting document of life in early-20th-century colonial Africa.
- Sales Rank: #3099034 in Books
- Published on: 1985
- Binding: Hardcover
- 389 pages
Most helpful customer reviews
2 of 2 people found the following review helpful.
Memoir of Africa
By James Henderson
Out of Africa is Karen Blixen's memoir about her years in Africa, writing as Isak Dinesen. She recounts the world of Africa, specifically Kenya. It is, like the England of her friend Denys Finch-Hatton, "a world that no longer existed" even then and certainly as she left it. The memoir is a slow read, yet a book with prose in which you can luxuriate, or languish perhaps as it seems to mirror the mammoth African landscape. Reading like a pastoral novel, the narrator interested me with her myriad experiences. It presents people, cultures, landscape, and wildlife through her eyes, sometimes noble, sometimes paternal. The culture of the various tribes and religions with whom she had contact on her coffee farm became almost real, so that as I read certain moments became funny or sad or wistful. The reader comes to view animals differently, the fecundity of life struck me particularly. The different forces at work are both natural and foreign; the paradoxical nature of the presence of two churches (Roman Catholic and Church of Scotland) is sometimes presented as working for good yet other times it is in conflict. Blixen's memoir is truly literate and the importance of books and writing is evident throughout. Early in the memoir she tries to explain her wirting a book to a native. Near the end of her stay as she is selling off the furniture and other estate provisions their is a poignant moment when, as she sits on her remaining books, she comments:
"Books in a colony play a different part in your existence from what they do in Europe; there is a whole side of your life which they alone take charge of ... you feel more grateful to them, or more indignant with them, than you will ever do in civilized countries." (p.373)
Blixen's memoir of this "uncivilised" land is both memorable and effective in sweeping the reader away into a very different world. Definitely a worthwhile read.
3 of 3 people found the following review helpful.
the wildness and irregularity of the country
By David A. Baer
Now eclipsed by the Streep-Redford film presentation that appropriated its title, Karen Blixen's memoir of life on her Kenyan coffee farm speaks movingly of the more benign side of colonialism in Africa and of one European's self-evident love for the land she had made her own.
Sadly, Blixen's lush descriptions of 'her people' are often judged too quickly by modern criteria of racial attitudes, a game that is like asking this early twentieth-century writer to wrestle with one arm tied behind her back. If it can be granted that there was anything good about Europe's colonization of Africa, then Blixen (Isak Dinesen was her pen name) is its face.
She loved the land and its people, entering about as far as was plausible in her time into the remarkable rhythm of both. What more can be asked of any of us, all children of our moment and enveloped in its limitations?
This is a book for lovers of Africa, no matter whence they come. Blixen not only pushed an eloquent pen, she was herself shaped in the biblical and classical language of educated Europeans in a way that prepared her to bridge Africa and Europe in a day when few were equipped to do so.
Blixen's Africa no longer exists, as she already realized within the window of her writing of OUT OF AFRICA and SHADOWS ON THE GRASS. Yet the Africa Blixen knew has children, not to be disinherited for the generations that have passed and the unsavory disease that a legacy of failed leaders has wrought upon this great continent. Though the primary fruit of reaching behind the celluloid to *read* OUT OF AFRICA is the satisfaction of the read itself, it is also true that today's Africa and today's Africans can be glimpsed in the great-grandparents who knew and lived in proximity to this enigmatic and uniquely gifted Danish colonist in a land she mistreated only by calling it hers.
0 of 0 people found the following review helpful.
"the African Native has not handed over his country to the white man in a magnificent gesture..."
By Akethan
Several years ago, I'd read Beryl Markham's WEST WITH THE NIGHT. As taken as I was with her account - Dinesen's story punctuated by her recollections "From an Immigrants Notebook" and the closing "Farewell to the Farm" were as different in perspective and place as imaginable. The entire era in which Dinesen lived and - well - subscribed is difficult to fathom. The casual attitude of right by birth - purely by being European - over the 'Natives' even as Dinesen observes with a stunning clarity the strengths and, in some cases, triumphs of the Natives over the Whites - she holds herself separate. As if she is a scientist and is the spirit of neutrality but her tone betrays her and her off-the-cuff manner of equating Natives to monkeys speaks volumes. Still - her recall is powerful and her craft in writing is as well. She deftly and unobtrusively grafts history, language and poetry into a singular product. Some favorite examples: "A medal is an inconvenient thing to give a naked man..."; "'Let us drive as far as our graves.'"; "Here the great trackers had lost the track, and sat immovable." Her earthquake experience brought to mind Emily's from A HIGH WIND IN JAMAICA. And her use of Shakespeare as a measure of character struck a chord: "All my life I have held that you can class people according to how they may be imagined behaving to King Lear." An amazing account of a deservedly lost age.
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