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Jumat, 29 November 2013

[S241.Ebook] Download Writing for Television: Series, Serials and Soaps (Creative Essentials), by Yvonne Grace

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An award-winning television drama producer with 20 years experience in script editing and development offers a practical guide for anyone interested in the television industry

Written in an engaging, anecdotal tone, this is a no-nonsense, direct down-the-lens look at the television industry written from the point of view of a television drama producer who's been there, done it, fought some battles, and won the odd award. Yvonne Grace gives advice on getting an agent. the type of writer television's looking for, the tool kit a television writer needs, the writer/script editor relationship, how to structure a storyline, how to write good treatments and outlines, and what a long running format teaches writers. Packed full of useful insights, links, and information, the book includes interviews with successful television writers working today and pointers on how to work collaboratively in the industry and how to make good contacts with the people who can further your career.

Sales Rank: #431368 in Books
Published on: 2014-10-01
Original language: English
Number of items: 1
Dimensions: 7.80" h x .40" w x 5.00" l, .35 pounds
Binding: Paperback
192 pages

About the Author
Yvonne Grace is an award-winning television drama producer with 20 years experience in script editing, script development, and drama production for the BBC and other networks, and she has worked on shows such as EastEnders, Crossroads, and many more. She helps writers write better scripts through her script-editing and mentoring service scriptadvice.co.uk.

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Senin, 25 November 2013

[O346.Ebook] Free Ebook Becca's Baby (Shelter Valley Stories), by Tara Taylor Quinn

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Meet Will and Becca Parsons, who've lived in Shelter Valley, Arizona, all their lives. Shelter Valley means everything to them. Home. Family. Security. Love. Everything that matters is right there in that town.

Will and Becca have been married for 20 years. It's a good marriage—a contented marriage—marred by only one disappointment: their inability to have children. But their dream of a baby has gradually been replaced by other interests, other goals.

In any case, Will and Becca are in their 40s now.

It's too late for babies.

Except it's not. Because Becca's pregnant. And that reality throws their carefully ordered lives into complete disarray.

A baby—after all these years.

Sales Rank: #427641 in eBooks
Published on: 2011-08-16
Released on: 2011-08-16
Format: Kindle eBook

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8 of 8 people found the following review helpful.
A very fresh romance
By A Customer
In Shelter Valley, Arizona Rebecca and Will Parsons live a happy loving life together. Perhaps, the only regret shared by the duo after two decades of bliss is that they never had a child regardless of the fact that they both wanted one and kept trying. However, over time both accepts the obvious that no child is forthcoming. The barren scenario abruptly ends when at forty-two years old Rebecca becomes pregnant.

Suddenly, the idyllic world of Becca and Will is thrown into chaos. Goals were changed when it became obvious that Becca would never become pregnant. The elated Will, the president of Montford University, is as stunned as Becca is. However, Becca, who anticipated menopause, feels too old to start with the diaper brigade even as the townsfolk rally to help one of the kindest residents adjust.

BECCA'S BABY is a warm humanistic tale that takes the audience inside the head and heart of the title character. The secondary cast including Will augments the tale through their interactions with Becca. However, Becca will charm the audience as she psychologically and emotionally struggles with a radically unexpected change. She owns this novel. Tara Taylor Quinn provides a robust character study that may seem "un" romantic at first glimpse but remains worth reading by anyone who enjoys a fabulous look at the human psyche.

Harriet Klausner

0 of 0 people found the following review helpful.
Quinn has done better.
By Cloggie Downunder
Becca’s Baby is the first book in the Shelter Valley Stories series by American author, Tara Taylor Quinn. After years of trying, when she has finally given up all hope, Becca Parsons falls pregnant at the age of forty-two. Her husband, Will is overjoyed, but puzzled by Becca’s strangely lukewarm reaction and shocked when she talks of termination. The strong loving relationship between them suffers, but the support of close family and the Shelter Valley community helps them come to terms with decisions they both need to make. Sub-plots involve a colleague of Will’s whose behaviour warrants censure and a prospective colleague who is removing her sister from an abusive relationship. Quinn touches on several issues: late-in-life pregnancy, adultery, domestic violence, parental sexual abuse and student-teacher relationships. While this could have been a sweet romance, there is rather too much soul-searching on the part of the main characters, enough to make the reader want to shake them and tell them to stop being so self-indulgent and get on with life. Quinn has done better.

0 of 0 people found the following review helpful.
but was so happy for the end results
By Peggy
This one was a little heartbreaking for me... but was so happy for the end results. I'm not much of the softy side of things but I'm telling ya, this one got to me. A great summer read!

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Jumat, 22 November 2013

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A superb text for teaching the philosophy of Descartes, this volume includes all his major works in their entirety, important selections from his lesser known writings, and key selections from his philosophical correspondence. The result is an anthology that enables the reader to understand the development of Descartes’s thought over his lifetime. Includes a biographical Introduction, chronology, bibliography, and index.

Sales Rank: #820528 in Books
Brand: Brand: Hackett Publishing Co.
Published on: 2000-03-15
Original language: English
Number of items: 1
Dimensions: 9.00" h x 6.00" w x .75" l, .0 pounds
Binding: Paperback
320 pages

Features

Used Book in Good Condition

About the Author
Roger Ariew is Professor of Philosophy, University of South Florida.

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17 of 17 people found the following review helpful.
The Best Introductory Edition of Descartes' Writings
By thirdrain
Roger Ariew and Hackett Publishing have brought out a terrific edition of Descartes' writings, superior to the one published by Cambridge University Press for several reasons. First, the typeface in the Cambridge edition is not very clear--it almost looks like the pages have been photocopied.
Second, the Hackett edition not only has Descartes' important philosophical works, but also includes a fine selection from Descartes' minor writings and correspondence (since Cambridge also publishes the complete writings of Descartes, they're not particularly motivated to do something like this). One finds, e.g., Descartes' 1640 letter to Colvius regarding the 'cogito ergo sum' argument found in Augustine's City of God, as well as two very important letters to the Marquis of Newcastle and Henry More regarding the question of whether animals have souls and whether space is infinite and vacuums are possible.
All selections are arranged chronologically, and Ariew has written a helpful introduction. Numbers in the page margins correlate each selection to the place where it is found in the standard original language edition of Descartes' works (Oeuvres de Descartes, eds. Adam and Tannery, 2nd ed., Paris: 1964-74). This is THE introductory edition to get.

2 of 2 people found the following review helpful.
Recommended edition
By Ex absurdo contradictorio
The Hackett Publishing Co. has more editions of Descartes than any other philosopher, and it can be confusing at first which edition is the best to buy. Readers interested in getting a nice taste of Descartes' philosophy (and not merely his Meditations) should definitely buy this edition, as should students studying Descartes. This edition includes not only the Meditations, but also the invaluable objections and replies to the Meditations (esp. Arnauld), along with his Discourse on Method, the Passions of the Soul, The World, The Search After Truth and even some of his correspondence. More importantly, the lesser read texts 'Rules for the Direction of the Mind' and 'Principles of Philosophy' are in this edition, which I find to be two of Descartes' most important writings, and cannot be ignored in studying Descartes. More serious readers in Descartes should look into having his complete three-volume philosophical writings through Cambridge (CSM, be warned that these go for around $40 each: The Philosophical Writings of Descartes: Volume 1, The Philosophical Writings of Descartes: Volume 2, The Philosophical Writings of Descartes (Volume 3: The Correspondence (Paperback))), but both the scholar and the student benefit from having this fine and accessible collection put together by Roger Ariew. It's well worth the extra money to buy this Hackett edition rather than merely having the Meditations and the Discourse on Method.

0 of 1 people found the following review helpful.
Three Stars
By Auntie Ane's Attic
Required for school. Kept my attention while in class.

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Rabu, 20 November 2013

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Provides a framework on which to build an enterprise-wide system to manage risk and potential losses in business settings
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Sales Rank: #639533 in Books
Published on: 2015-09-17
Original language: English
Number of items: 1
Dimensions: 9.40" h x .70" w x 7.50" l, 1.55 pounds
Binding: Hardcover
260 pages

About the Author
Philip Green is CEO of First Resource Management Group Inc., which manages forests in Canada. Before this he was president of Greenbridge Management Inc., which provided risk management, process management, continuous improvement and statistical consulting services to industries in North and South America, Europe and Asia. He is co-author of misLeading Indicators: How to Reliably Measure your Business (with Prof George Gabor of Dalhousie University) published by Praeger. He has an M.Sc. in Statistics from McMaster University (1984).

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The Leadership Spirit of the WIGWAM: Aligning head, heart, and spirit for success and happiness The challenges that companies and leaders face today cannot be solved by the same kind of thinking that went into creating success in the past. This book teaches you the process of aligning and energizing the head, heart, and spirit for success and happiness. Five fictional c-suite characters take you through their very real and relatable problems. Their viewpoints guide you through their journey of difficulties and issues faced by business owners, executives, mid-level managers, moms and dads. As you see yourself in the story, you will realize that you too can shift your mindset and make powerful changes for greater success and happiness. Are you ready to make a transition to a new level of leadership? The concept of the WIGWAM process can be applied professionally as a team or group as well as personally as an individual or family - it focuses on accountability, conversation and commitment. In this book you’ll be guided on how to... • Be aware of your own leadership difficulties • Conduct advanced decision making • Make your mind like water • Define your most critical outcomes for success and happiness • Create the right pulsing of human interaction and engagement in your organization • Make the right strategic moves at the right time • And much, much more! If you are looking to align leaders at every level of your organization, this book provides you with a roadmap.

Sales Rank: #1841230 in Books
Published on: 2015-12-22
Original language: English
Dimensions: 8.50" h x .55" w x 5.50" l,
Binding: Paperback
244 pages

About the Author
Dr. Jon L. Iveson is a business coach and facilitator for CEO’s, owners, entrepreneurs, c-suite executives and other leaders of organizations. He focuses on team and organizational coaching and facilitation. He is a Gazelles Certified Business Coach, Franklin Covey Trained Facilitator and the former Founding Director of The Ohio State University Center for Entrepreneurship. He has worked with several dozen companies and impacted over 500 leaders ranging from the c-suite to the front-line with his coaching and facilitation work. Clients of his include The Ohio State University, OhioHealth, NCT Ventures and many other small to midsize growth businesses.

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Senin, 18 November 2013

[Z419.Ebook] Download PDF I'll Be Home For Christmas, by Bing Crosby, Frank Sinatra, Michael Buble, Walter Kent

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Digital Sheet Music of I'll Be Home For Christmas

Composed by: Walter Kent

Performed by: Bing Crosby;Frank Sinatra;Michael Buble

Sales Rank: #2934651 in eBooks
Published on: 2011-07-25
Released on: 2013-04-25
Format: Kindle eBook

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[H337.Ebook] Free PDF Reading the Romance: Women, Patriarchy, and Popular Literature, by Janice A. Radway

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Originally published in 1984, Reading the Romance challenges popular (and often demeaning) myths about why romantic fiction, one of publishing's most lucrative categories, captivates millions of women readers. Among those who have disparaged romance reading are feminists, literary critics, and theorists of mass culture. They claim that romances enforce the woman reader's dependence on men and acceptance of the repressive ideology purveyed by popular culture. Radway questions such claims, arguing that critical attention "must shift from the text itself, taken in isolation, to the complex social event of reading." She examines that event, from the complicated business of publishing and distribution to the individual reader's engagement with the text.

Radway's provocative approach combines reader-response criticism with anthropology and feminist psychology. Asking readers themselves to explore their reading motives, habits, and rewards, she conducted interviews in a midwestern town with forty-two romance readers whom she met through Dorothy Evans, a chain bookstore employee who has earned a reputation as an expert on romantic fiction. Evans defends her customers' choice of entertainment; reading romances, she tells Radway, is no more harmful than watching sports on television.

"We read books so we won't cry" is the poignant explanation one woman offers for her reading habit. Indeed, Radway found that while the women she studied devote themselves to nurturing their families, these wives and mothers receive insufficient devotion or nurturance in return. In romances the women find not only escape from the demanding and often tiresome routines of their lives but also a hero who supplies the tenderness and admiring attention that they have learned not to expect.

The heroines admired by Radway's group defy the expected stereotypes; they are strong, independent, and intelligent. That such characters often find themselves to be victims of male aggression and almost always resign themselves to accepting conventional roles in life has less to do, Radway argues, with the women readers' fantasies and choices than with their need to deal with a fear of masculine dominance.

These romance readers resent not only the limited choices in their own lives but the patronizing atitude that men especially express toward their reading tastes. In fact, women read romances both to protest and to escape temporarily the narrowly defined role prescribed for them by a patriarchal culture. Paradoxically, the books that they read make conventional roles for women seem desirable. It is this complex relationship between culture, text, and woman reader that Radway urges feminists to address. Romance readers, she argues, should be encouraged to deliver their protests in the arena of actual social relations rather than to act them out in the solitude of the imagination.

In a new introduction, Janice Radway places the book within the context of current scholarship and offers both an explanation and critique of the study's limitations.

Sales Rank: #361143 in Books
Published on: 1991-11-30
Released on: 1991-11-30
Original language: English
Number of items: 1
Dimensions: 8.90" h x .72" w x 6.00" l, .96 pounds
Binding: Paperback
288 pages

Review
Explores not only the conventions of the romance novel but also the ways in which both these novels and their readers defy certain stereotypes, usually proliferated by people who don't read the books themselves. Radway's study is a fascinating and controversial bit of sociological literary criticism.--MetroMagazine

[Reading the Romance] is in a class by itself. It set[s] a standard for cultural studies, scarcely ever matched in subsequent work, of testing theories about the effects of mass culture with close study of the people presumably under its influence.--Journal of American History

A consistently absorbing and often brilliant analysis of [romance novels] and their eager consumers.--Sandra M. Gilbert, New York Times Book Review

A superb analysis of a contemporary phenomenon and an intelligent and moving depiction of how the women who consume these novels see their lives.--Journal of Communication

From the Back Cover
Originally published in 1984, Reading The Romance challenges popular (and often demeaning) myths about why romantic fiction, one of publishing's most lucrative categories, captivates millions of women readers. In a new introduction, Janice Radway places the book within the context of current scholarship and offers both an explanation and critique of the study's limitations.

About the Author
Janice A. Radway is Walter Dill Scott Professor of Communication and professor of American studies and gender studies at Northwestern University and author of A Feeling for Books.

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9 of 15 people found the following review helpful.
Enlightening
By Steven Reynolds
Despite the growing popularity of cultural studies, it's still surprising to find a literary academic who embraces popular culture. More surprising still is that Janice Radway managed to head down this path almost twenty years ago. Recognizing that a theorist who refuses to engage with popular fiction is ignoring perhaps 90% of what people actually read, Radway does not dismiss romantic fiction as beneath her attention. Rather, she sets out to conduct an empirical study into the genre. In doing so, she addresses some important questions: Why do women read romance? What social and psychological needs does it meet? If there is an "ideal" romance, what are its components and why? How does the unique language of romance do its work? In answering these, Radway not only manages to define an entire genre. She also draws out some rather chilling and not so obvious conclusions about the role of romantic fiction in preventing the feminist agenda from taking hold. And unlike many criticisms of romance, Radway's is based on observation, experience and facts. Her preference for foregrounding the evidence rather than her own views is mightily refreshing. My only reservation is the ease with which she extrapolates the reading experiences of a small group of women into conclusions about American culture in general. However, her excellent introduction to the second edition recognizes this, positions her study in relation to the emerging discipline of cultural studies, and suggests ways in which her study's insights might be further explored and tested. I strongly recommend this to anyone interested in the romance genre, or in academic approaches to popular fiction in general. Readers, writers, students and critics will all find something to learn here.

4 of 10 people found the following review helpful.
Strongly Feminist
By Conor J. Maguire
I found the responses of the individuals interviewed interesting, but the analysis rather uninteresting. Unless you are a proponent of feminist theory the authors thoughts and interpretations of the women's reasons for reading romance novels is bound to seem pretty suspect. She does own up to this in the introduction, and the material is still interesting, I just got sick of hearing about patriarchal marriages mighty quick.

12 of 14 people found the following review helpful.
A major contribution to the field of cultural studies
By Matthew Thorn
I was disappointed to see that an earlier reviewer found the book condescending. I think it is true that when the book was written, for a largely academic audience, back in 1984, she probably felt she had to bend over backwards to have her work taken seriously by academics, so she couldn't have written "as a fan." But condescending? I really didn't think so. This book was inspirational to me when I was trying to find a way to approach the material I study (and personally enjoy), Japanese girls' and women's comics. I don't know if Janice (whom I know and admire) is a fan of romance novels, but I know she has always enjoyed popular literature, and that she really tried, in this book, to see romances as their readers see them, and to convey that point of view to academics and feminists who have always looked on romance with contempt. But think about it: if she had written the book from a "fannish," "gee-aren't-romance-novels-great" point of view, it would have ended up as a book by and for romance readers, and wouldn't have contributed to helping non romance-readers understand the genre. I would recommend this book to A) anyone who has always considered "genre fiction" to be pap, B) feminists who want to break out of the "feminists vs. non-feminist women" paradigm, and C) romance readers who would like some ammunition in defending the genre to others.

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